{"id":8777,"date":"2023-02-10T16:53:28","date_gmt":"2023-02-10T15:53:28","guid":{"rendered":"https:\/\/www.gabrielle-laroche.com\/product\/jan-krizek-fryder\/"},"modified":"2023-02-10T17:31:57","modified_gmt":"2023-02-10T16:31:57","slug":"jan-krizek-fryder","status":"publish","type":"product","link":"https:\/\/www.gabrielle-laroche.com\/en\/product\/jan-krizek-fryder\/","title":{"rendered":"JAN KRIZEK- Fryder"},"content":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Biography:\u00a0<\/span><\/strong><\/p>\n

Jan K\u0159\u00ed\u017eek is undoubtedly the most original of the artists who settled in France during the last century.<\/p>\n

After an artistic training in Prague, he arrived in France in 1947, where he lived until his death in 1985 and it was there that he produced most of his work. By bringing certain influences from his country of origin into dialogue with more archaic or primitive expressions, or by mixing them with more innovative currents of the post-war Parisian artistic scene, he achieved an original and personal expression which was hailed by artists, poets or theoreticians like Pablo Picasso, Andr\u00e9 Breton, Jean Dubuffet, Michel Tapi\u00e9, Charles Estienne, Edouard Taguer, Jean Degottex and Ren\u00e9 Duvillier.<\/p>\n

Between 1947 and 1962, he exhibited in important places or places that have since become famous, such as the Foyer de l’Ar Brut, the Galerie Kleber, the Galerie Craven, the Galerie A l’\u00e9toile sealed; and rubbed shoulders with active routes and movements, such as the group of tachists brought together by Estienne, the surrealists gathered around Breton or the Phases movement, led by Taguer, while remaining an atypical and solitary creator.<\/p>\n

Indeed, K\u0159\u00ed\u017eek’s work does not lend itself to the usual classifications. Archaism, primitivism, art brut, tachisme gestural painting, informal art, informal art are all aspects that can be associated with it, without any of these terms managing to cover the nature.<\/p>\n

It can however be said that for years he worked on only one work; constantly drawing, engraving, modelling, sculpting the many variations of the human figure. In search of a vitalist expression, timeless but resolutely current, at a time when human dignity had been deeply flouted by the massacres and genocide of the Second World War, he constantly returned to “man”, questioning on its origins, on the meaning of its creativity; affirming, in the face of the danger of an abstract, cold and disembodied world: \u201cWith me, man must never disappear. \u00bb<\/p>\n

Throughout his work, he thus devoted himself to the resolution of a single problem, including the resolution of a single and same problem, the nature of which was personal and of a more “spiritual” than artistic order and to which he was looking for answers in the depths of the unconscious. What mattered to him was the ongoing process of research.<\/p>\n

After having acquired a solid reputation on the Parisian scene, he retired to Corr\u00e8ze, and almost completely disappeared from artistic life. It was not until 1995 that national and international exhibitions followed simultaneously, starting with Le mus\u00e9e de la Cohue in Vannes and at the Galerie du Th\u00e9\u00e2tre National de Bretagne in Rennes, in collaboration with the FRAC Bretagne.<\/p>\n

K\u0159\u00ed\u017eek was an original creator and an atypical thinker. Many people were struck by the authenticity of his quest and his demand for truth. He had to explore things on his own first, and he never blindly adopted models forged by others that seemed attractive to him. We can thus find in his work traces of his admiration for archaic and non-European arts, for the stylization of the first Romanesque art, for Baroque expressiveness or movement in Rodin; all rendered by a spontaneous and rapid gesture at the limit of an intuitive, gestural and automatic expression. In reality, his creative process is well thought out and he knew where he was going. This is why when he felt he had reached his goal, he put an end to his plastic creation.<\/p>\n

Anna Pravdov\u00e1<\/p>\n

 <\/p>\n

Personal Exhibitions\u00a0:<\/strong><\/p>\n

Sculptures by K\u0159\u00ed\u017eek, Foyer de l’Art Brut, Galerie Ren\u00e9 Drouin, Paris, February 13 – March 1948.<\/p>\n

K\u0159\u00ed\u017eek At the Sealed Star, Paris, March 16 – April 6, 1956.<\/p>\n

K\u0159\u00ed\u017eek, sculptures and paintings, Craven Gallery, Pris, May 30 – June 19, 1958.<\/p>\n

K\u0159\u00ed\u017eek, painting, sculpture, Craven Gallery, May 1-20, 1959.<\/p>\n

Jan K\u0159\u00ed\u017eek, TNB Gallery, Rennes March 25 – May 14, 1995.<\/p>\n

Jan K\u0159\u00ed\u017eek, Museum of the Cohue, Vannes, March 25 – May 29, 1995.<\/p>\n

K\u0159\u00ed\u017eek, Cloister Museum of Tulle, July 5 – September 5, 1996.<\/p>\n

Jan K\u0159\u00ed\u017eek, obrazy, sochy, keramika, Galerie modern\u00edro um\u011bni v Roudnici nad Labemm French Institute in Prague, July 1 – September 12, 1999.<\/p>\n

Jan K\u0159\u00ed\u017eek, Oblastn\u00ed galerie v Liberci, 7 October 28 November 1000.<\/p>\n

Jan K\u0159\u00ed\u017eek, Gallery Zden\u011bsk Skeln\u00e1\u0159m Litomy\u0161lm December 11, 1999 – January 10, 2000.<\/p>\n

Jan K\u0159\u00ed\u017eek, Muzeum a galerie Litomy\u0161lm, January 14 – February 27, 2000.<\/p>\n

Jan K\u0159\u00ed\u017eek Severo\u010deska, Gallery V\u00fdtvarn\u00e9ho um\u011bni v Litom\u011bric\u00edch, May 10 – June 17, 2001.<\/p>\n

Jan K\u0159\u00ed\u017eek, Gallery Benedikta Rejta v Lounech, September 28 – January 16, 2005.<\/p>\n

Jan K\u0159\u00ed\u017eek: solit\u00e9r na cest\u011b za pravdou, N\u00e1rodn\u00ed galerie v Praze, February 23 – June 6, 2010.<\/p>\n

Jan K\u0159\u00ed\u017eek \/ S\u00edla znaku, Galerie modern\u00edho um\u011bni v Roudnici nad Labem, April 27 – June 10, 2012.<\/p>\n

Jan K\u0159\u00ed\u017eek (1919 – 1985) has un\u011bleck\u00e1 Pa\u0159\u00ed\u017e 50. let, N\u00e1rodn\u00ed gqlerie v Praze, May 31 – September 29, 2013.<\/p>\n

 <\/p>\n

Collective Exhibitions\u00a0:<\/strong><\/p>\n

Art Brut, Home of Brut Art, Galerie Ren\u00e9 Drouin, Paris, November 1947.<\/p>\n

Ceramics, sculptures and drawings by V.Ivanoff, Jean K\u0159\u00ed\u017eek, Jacqueline Manou, Maria, Librairie Andr\u00e9 Pouget, Paris 3 – 28 me 1949.<\/p>\n

Instinct, Bookstore, Andr\u00e9 Pouget, Paris, June 25 – July 20, 1949.<\/p>\n

Ceramics, Galerie Martin Gruzon, Cannes, September 13 – October 1949.<\/p>\n

Salon d’Octobre: painting, sculpture, engraving, Galerie Craven, Paris, October 1 – 29, 1953.<\/p>\n

A few fires in the fog, A l\u2019Etoile sealede, Paris, January 21 – February 1955.<\/p>\n

Continuity of Gallic art, Educational Museum, Paris, February 18 – April 2, 1955.<\/p>\n

Alice in Wonderland, Bookstore – Galerie Kleber, Paris 1er – March 22, 1955<\/p>\n

Inks and watercolors (Degottex, Duvillier, K\u0159\u00ed\u017eek, Marcelle Loubchansky), Librairie – Galerie Kleber, Paris, June 16 – September 30, 1955.<\/p>\n

Sculptures, Galerie Claude Bernard, Paris, February 6 – February 1958<\/p>\n

Collages, Watercolors Gouaches, Galerie Craven, Paris, June – September 1958.<\/p>\n

Dubuis, Franquinet, Kolos-Vary, K\u0159\u00ed\u017eek, Manera, Selim, Galleria d’arte La Bussola, Torino, February 14 – 23, 1959.<\/p>\n

Sei giovani pittori della scuola di Parigi, La Medusa studio d’arte contemporanea, Roma, March 14 – March 1959.<\/p>\n

I sei della galleria Craven (Dubuis, Franquinet, Kolos-Vary, K\u0159\u00ed\u017eek, Manera, Selim), Galleria des Libraio, Bologna, 12-22 April 1959.<\/p>\n

Dubuis, Franquinet, Kolos-Vary, K\u0159\u00ed\u017eek, Manera, Selim, Galleria d’Arte La Navicella, Viareggio, May 17 – 31, 1959.<\/p>\n

Figures Variations, Paris Gallery, London, November 13 – December 9, 1959\u2026<\/p>\n

 <\/p>\n

Bibliography :<\/strong><\/p>\n

Catalog raisonn\u00e9 of the artist, \u201cAt home man must never disappear\u201d by Anna Pravdov\u00e1, National Gallery of Prague, FRAC Limousin, France, 2015.<\/p>\n

Archive collection<\/strong><\/p>\n

Jan K\u0159\u00ed\u017eek Documentation Fund, Benedikt Rejt Gallery, Louny. Charles Estienne Collection, Nation d\u2019At Moderne Museum, Center Georges <Pompidou, Kandinsky Library, Paris<\/p>\n

Andr\u00e9 Breton Fund, Jacques Doucet Literary Library, Paris.<\/p>\n

Private archives in the Czech Republic and France.<\/p>\n

Dissertations and academic work\u00a0<\/span><\/strong><\/p>\n

Jacqueline Felmzan, The history of the Ren\u00e9 Drouin Gallery from 1939 to 1947, University Panth\u00e9on – Sorbonne Paris I, 1981.<\/p>\n

Lorraine Mailho, Charles Estienne, art critic, 1945 – 1960, University Panth\u00e9on – Sorbonne Paris I, 1983.<\/p>\n

Solo exhibition catalogs\u00a0<\/strong><\/p>\n

Sculptures by K\u0159\u00ed\u017eek, Galerie Ren\u00e9 Drouin, Paris, 1948 (Michel Tapi\u00e9).<\/p>\n

K\u0159\u00ed\u017eek, To the Sealed Star, Paris, 1956 (Charles Estienne).<\/p>\n

K\u0159\u00ed\u017eek Sculptures and Paintings, Galerie Craven, Paris, 1958.<\/p>\n

K\u0159\u00ed\u017eek Painting Sculpture, Craven Gallery, Paris, 1959.<\/p>\n

Jan K\u0159\u00ed\u017eek, FRAC Bretagne, Museum of the Cohue, Vannes, 1995 (Catherine Elkar, Marie – Fran\u00e7oise Le Saux, Jean Markale).<\/p>\n

Jan K\u0159\u00ed\u017eek, Galerie modern\u00edro um\u011bni v Roudnici nad Labem, Roudnice nad Labem 1999 (Miroslava Hlav\u00e1\u010dkova).<\/p>\n

Jan K\u0159\u00ed\u017eek, Zden\u011bk Sklen\u00e1r Gallery, Praha 1999 (Jarom\u00ed\u0159 Zemina).<\/p>\n

Jan K\u0159\u00ed\u017eek: solitary na cest\u011b za pravdou, N\u00e1rodn\u00ed gallery v Prazem, Praha 2010 (Anna Pravdov\u00e1).<\/p>\n

Jan K\u0159\u00ed\u017eek \/ S\u00edla znaku, Galerie modern\u00edho um\u011bni v Roudnici nad Labem 2012 (Magdalena Deverov\u00e1).<\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

JAN KRIZEK<\/strong><\/p>\n

(1919-1985)<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

Titre\u00a0 <\/span>:<\/strong>\u00a0Fryder<\/p>\n

Date :<\/strong> 1946<\/p>\n

 <\/p>\n

Technique<\/strong> : Technique mixte sur papier<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/span>Sign\u00e9e et dat\u00e9e \u00abK\u0159\u00ed\u017eek\u00bb<\/p>\n

 <\/p>\n

Dimensions :\u00a0<\/span><\/strong><\/p>\n

Hauteur\u00a0: 55,5 cm<\/p>\n

Largeur\u00a0: 45 cm<\/p>\n

\u00a0<\/strong><\/p>\n[dt_button size=\"small\" style=\"default\" animation=\"none\" color_mode=\"default\" icon=\"\" icon_align=\"left\" color=\"\" link=\"mailto:gabrielle-laroche@wanadoo.fr?subject=293_JAN_KRIZEK- Fryder\" target_blank=\"true\"]DEMANDE D’INFORMATIONS[\/dt_button]\n

 <\/p>\n

Retour aux contemporains<\/a><\/p>\n","protected":false},"featured_media":8776,"template":"","meta":[],"product_brand":[],"product_cat":[104],"product_tag":[],"class_list":{"0":"post-8777","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-jan-krizek-en","7":"description-off","9":"first","10":"instock","11":"shipping-taxable","12":"product-type-simple"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.gabrielle-laroche.com\/en\/wp-json\/wp\/v2\/product\/8777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gabrielle-laroche.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.gabrielle-laroche.com\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gabrielle-laroche.com\/en\/wp-json\/wp\/v2\/media\/8776"}],"wp:attachment":[{"href":"https:\/\/www.gabrielle-laroche.com\/en\/wp-json\/wp\/v2\/media?parent=8777"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.gabrielle-laroche.com\/en\/wp-json\/wp\/v2\/product_brand?post=8777"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.gabrielle-laroche.com\/en\/wp-json\/wp\/v2\/product_cat?post=8777"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.gabrielle-laroche.com\/en\/wp-json\/wp\/v2\/product_tag?post=8777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}