{"id":8846,"date":"2000-01-20T12:00:21","date_gmt":"2000-01-20T11:00:21","guid":{"rendered":"https:\/\/www.gabrielle-laroche.com\/product\/mircea-milcovitch-opus-931\/"},"modified":"2023-02-20T12:50:34","modified_gmt":"2023-02-20T11:50:34","slug":"mircea-milcovitch-opus-931","status":"publish","type":"product","link":"https:\/\/www.gabrielle-laroche.com\/en\/product\/mircea-milcovitch-opus-931\/","title":{"rendered":"MIRCEA MILCOVITCH – Opus 931"},"content":{"rendered":"

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Biography :\u00a0<\/span><\/strong><\/p>\n

Born in Bessarabia, one of Russia\u2019s provinces, then student in an art program in Bucharest, Mirca Milcovitch joins his group of friends, also painters, with whom he often stays in a village in the Carpates. This group is quickly considered out of the realistic and social art.\u00a0<\/span><\/p>\n

Following May 1968, he\u2019s invited to join the \u201csix jeunes peintres roumains\u201d exhibition in Paris. That is when he decides to move there. He chose exile and had to wait two years before his wife Marga, also a painter, could join him.\u00a0<\/span><\/p>\n

He is quickly given the French nationality. He got a workshop at \u201cla Cit\u00e9 des Arts\u201d, then from \u201cLa Ville de Paris\u201d. That\u2019s when he started to work on prints for over ten years. A few of them are reworked with a silver mine, pencil, or later with charcoal. Some of them are preserved at \u201cLa Biblioth\u00e8que Nationale\u201d.\u00a0<\/span><\/p>\n

Mircea Milcovitch is really interested by the universal symbolic which led him to publish \u201cDes symboles universels \u00e0 la spiritualit\u00e9 chr\u00e9tienne\u201d in 1991 (Editions Retz).<\/p>\n

Very much inspired by nature and those telluric forms, Milcovitch practices in the trade of pruning in the shale of Savoie. Once he got installed in his workshop in Nogent-sur-Marne allowing to prune more easily, he started to work with white stones such as Carrare\u2019s marble.\u00a0<\/span><\/p>\n

Milcovitch participates to a lot of group exhibitions in Europe such as La jeune Sculpture, Comparaisons, Grands et Jeunes d\u2019Aujourd\u2019hui, Salons d\u2019Automne. He got several orders, such as monumental marble sculptures.\u00a0<\/span><\/p>\n

Mirca Milcovitch relentlessly carves hard stones, driven by the search for the elementary form, as he likes to call \u201cla forme de la forme\u201d. Looking for a cosmos somewhere between the curves, located at the crossroads of organicity and purity.<\/p>\n

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MIRCEA MILCOVITCH<\/b><\/p>\n

1941 –\u00a0<\/span><\/p>\n

\u00a0<\/b><\/p>\n

Title \u00a0 : \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Opus 931<\/i><\/b><\/p>\n

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Technique :<\/strong> \u00a0 \u00a0 Ardoise d\u2019Angers<\/p>\n

Sign\u00e9 sur la base \u00e0 droite Milcovitch<\/i><\/p>\n

Titr\u00e9 sur la base gauche<\/p>\n

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Dimensions :<\/strong><\/p>\n

Height: 72,5 cm<\/p>\n

Width: 31,5 cm<\/p>\n

Depth : 23,5 cm<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n[dt_button size=\"small\" style=\"default\" animation=\"none\" color_mode=\"default\" icon=\"\" icon_align=\"left\" color=\"\" link=\"mailto:gabrielle-laroche@wanadoo.fr?subject=13_MIRCEA_MILCOVITCH_ Opus_-931\" target_blank=\"true\"]DEMANDE D’INFORMATIONS[\/dt_button]\n

 <\/p>\n

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