{"id":8881,"date":"2000-01-20T10:00:59","date_gmt":"2000-01-20T09:00:59","guid":{"rendered":"https:\/\/www.gabrielle-laroche.com\/product\/robert-tatin-le-grand-chene\/"},"modified":"2023-02-20T18:55:53","modified_gmt":"2023-02-20T17:55:53","slug":"robert-tatin-le-grand-chene","status":"publish","type":"product","link":"https:\/\/www.gabrielle-laroche.com\/en\/product\/robert-tatin-le-grand-chene\/","title":{"rendered":"ROBERT TATIN – Le Grand Ch\u00eane"},"content":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Biography\u00a0:<\/strong><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Robert Tatin was born on January 9, 1902 at L’Epine d’Avesni\u00e8res in Laval in Mayenne in a modest and contrasting environment, between a Dreyfusard father and a practicing Catholic mother.<\/p>\n

In 1909, he sits on the benches of the communal school, until the certificate of studies. He will then begin his entry into professional life with an apprenticeship as a house painter. He then enters the path of construction and creation that he will never leave again.<\/p>\n

In 1918, he moved to Paris at the age of seventeen as a painter-decorator. At the same time, he studied drawing and painting by attending free academies. He is enrolled at the Ecole des Beaux Arts in Paris and at the fresco workshop of the Ecole des Arts Appliqu\u00e9s.<\/p>\n

From 1922 to 1924, he did his military service in Chartres where he took evening classes in trigonometry, descriptive geometry and geometry in space.<\/p>\n

Returning to Laval, at the age of twenty-three he began training as a carpenter for several years.<\/p>\n

At the age of twenty-eight, in 1930, he created his building business in Laval, which grew very rapidly. It was a prosperous period during which Tatin traveled a lot. He thus discovered several European countries, North Africa and New York in 1938.<\/p>\n

In 1945, deeply marked by the horrors of war, he decided to embark on an artistic life without concessions. This is a major turning point in his life as a creator. In 1947, he created a ceramics and painting workshop in Paris. By participating in the reconstruction of “cultural Paris”, he frequented Pr\u00e9vert, Breton, Cocteau, Giacometti, Dubuffet, and enjoyed national recognition.<\/p>\n

In 1950, Tatin decided to leave France. He left for Brazil and first worked for Matarazzo Sobrhino (director of the Museum of Fine Arts in Sao Paulo and a wealthy industrialist) as a painter, sculptor and ceramist. He is part of a team of technicians and chemists who study high temperatures. Tatin deepens his knowledge in the field of ceramics. In 1951, he exhibited at the first Sao Paulo Biennial and won first prize for sculpture. It will then cross South America: Argentina, Uruguay, Paraguay and Chile to Tierra del Fuego. In contact with the Amerindians, Tatin completely frees himself from academic dogmas and expands his register of shapes and colors. His notoriety becomes international.<\/p>\n

Back in France in 1955, he settled in Vence, worked in Laval and Paris. In the field of painting, it was during this period that he asserted the full extent of his pictorial technique. He exhibited in Paris, notably in the University Gallery of Robert Steindecker, who had become his patron. In 1961, he won the Critics’ Prize in Paris.<\/p>\n

In 1962, Robert Tatin returned to Mayenne for good, bought a small house in Coss\u00e9-le-Vivien and embarked, with his young wife Lise, on building his \u201cMaison des Champs\u201d.<\/p>\n

 <\/p>\n

Exhibitions:\u00a0<\/span><\/strong><\/p>\n

\u201cTen years of Sculpture\u201d retrospective at the H\u00f4tel Georges V in Paris in 1976<\/p>\n

Traveling exhibition in the south-west of France<\/p>\n

8th Angers Motor Show, 1989<\/p>\n

Salon \u201cHuman Forms\u201d, Rodin Museum<\/p>\n

\u201cComparisons\u201d fair<\/p>\n

Autumn Salon of which he is a member.<\/p>\n

Salon \u201cgroup of 109\u201d, Grand Palais, 1983 and 1985<\/p>\n

 <\/p>\n

Publications\u00a0:<\/strong><\/p>\n

\u201cToi ma Celtie\u201d, Bief, no 1, Le Terrain Vague edition, November 1958<\/p>\n

\u201cTraces 40. Robert Tatin presents Tatin de la Fr\u00e9nouse, the worker. Followed by: Long\u00a0<\/span><\/p>\n

live the Spleen!…\u201d, Michel-Fran\u00e7ois Lavaur. The Pallet. Vallet, 1972, special issue prepared by Alain Barr\u00e91<\/p>\n

“Magic” in eight copies, collection of the Tatin museum<\/p>\n

“Strange museum, Robert Tatin in Fr\u00e9nouse in Coss\u00e9-le-Vivien, Mayenne”.\u00a0<\/span><\/p>\n

Librairie Charpentier 1977. Preface by Otto Hahn. (Charpentier bookstore, Paris 1977)<\/p>\n

\u201cLetter to Andr\u00e9 Breton\u201d (La Br\u00e8che Action Surr\u00e9aliste no 4, February 1983)<\/p>\n

 <\/p>\n

Bibliography\u00a0:\u00a0<\/span><\/strong><\/p>\n

Robert Tatin. Paris, Librairie Charpentier, 1960. by Pierre Gueguen, and Henry Galy-Carles<\/p>\n

Catalog of the Robert Tatin exhibition from May to June 1968, at the Galerie de l’Universit\u00e9 in Paris<\/p>\n

Strange museum, Robert Tatin en Fr\u00e9nouse in Coss\u00e9-le-Vivien, Mayenne. Librairie Charpentier 1977. Written by Robert Tatin. Preface by Otto Hahn<\/p>\n

The strange domain of Robert Tatin. Simo\u00ebn, 1977. Richard Jeandelle and Brigitte Jeandelle<\/p>\n

The universe of Robert Tatin. Celestin Freinet Group. 1983<\/p>\n

 <\/p>\n

Filmography\u00a0:<\/strong><\/p>\n

Five films have been shot on Robert Tatin:<\/p>\n

On the other side of the mirror, film made for the television program Terre des Arts by Max-Pol Fouchet in June 1967 on Magritte, Paul Delvaux, Aristide Caillaud and Robert Tatin<\/p>\n

A film by Jacques Remise for the ORTF (January 1972)<\/p>\n

A newsreel for Fox-Movietone (August 1974)<\/p>\n

A film by Claus Hermans for German television (July 1976)<\/p>\n

“Tatin-Circus” by Robert Maurice and Claude Arrucci, for FR3 Rennes (February 1977)<\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Robert TATIN<\/b><\/p>\n

(1902 Laval – 1983 Mayenne)<\/p>\n

 <\/p>\n

Title<\/b>\u00a0:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00ab\u00a0Le Grand Ch\u00eane\u00a0\u00bb\u00a0\u00a0<\/span><\/p>\n

 <\/p>\n

Date<\/b>\u00a0:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0November 1966<\/p>\n

 <\/p>\n

Technique\u00a0:<\/b> \u00a0\u00a0\u00a0\u00a0\u00a0Oil on canvas<\/p>\n

 <\/p>\n

Dimensions\u00a0:<\/b> \u00a0\u00a0\u00a0Height\u00a0: 97 cm\u00a0 \u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

Width: 130 cm\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n

\u00a0<\/b><\/p>\n

 <\/p>\n

Comments\u00a0: \u00a0\u00a0<\/b><\/p>\n

Oil on Canvas signed Robert Tatin, and called \u00ab\u00a0Le grand ch\u00eane\u00a0\u00bb lower right<\/p>\n

Dated from \u00a0November 1966 and Note on the Back \u00a0:\u00a0\u00a0<\/span><\/p>\n

Fait avec Liseron\u00a0<\/span><\/em><\/p>\n

Toile n\u00b0330<\/em><\/p>\n

C\u2019est le ch\u00eane du grand p\u00e8re au c\u0153ur d\u2019or<\/em><\/p>\n

Avec Guy B\u00e9ranger avec sa maman, avec sa grand maman \u2013 collection Guy B\u00e9ranger\u00a0<\/span><\/em><\/p>\n

\u00a0En Fr\u00e9nouze, nov 1966.<\/em><\/p>\n

 <\/p>\n

 <\/p>\n[dt_button size=\"small\" style=\"default\" animation=\"none\" color_mode=\"default\" icon=\"\" icon_align=\"left\" color=\"\" link=\"mailto:gabrielle-laroche@wanadoo.fr?subject=90_ROBERT_TATIN_Le_grand_chene\" target_blank=\"true\"]DEMANDE D’INFORMATIONS[\/dt_button]\n

 <\/p>\n

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