{"id":3293,"date":"2021-12-09T14:30:24","date_gmt":"2021-12-09T13:30:24","guid":{"rendered":"http:\/\/mrplwpw.cluster030.hosting.ovh.net\/?post_type=product&#038;p=3293"},"modified":"2021-12-09T13:23:21","modified_gmt":"2021-12-09T12:23:21","slug":"mathias-liptay-elle","status":"publish","type":"product","link":"https:\/\/www.gabrielle-laroche.com\/fr\/product\/mathias-liptay-elle\/","title":{"rendered":"MATHIAS LIPTAY &#8211; Elle"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<p class=\"p1\"><span class=\"s1\">Il y a des th\u00e8mes qui le pr\u00e9occupent pendant plusieurs ann\u00e9es, ce qui permet\u00a0de\u00a0diviser ses activit\u00e9s cr\u00e9atives en plusieurs p\u00e9riodes successives.<\/span><\/p>\n<ul class=\"ul1\">\n<li class=\"li1\"><span class=\"s1\">Les Eclosions, 1977-1982<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">Les T\u00eates, 1984-1986<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">Les Germinations, 1990-1992<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">Les Couples, 1994-1995<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">Les Dialogues, 1997-1998<\/span><\/li>\n<li class=\"li1\"><span class=\"s1\">La Sculpture et son Ombre, 1999-201<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Bibliographie<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">N\u00e9 \u00e0 Kalocsa en Hongrie en 1936. Venu \u00e0 Paris \u00e0 l&rsquo;\u00e2ge de 20 ans, il entre \u00e0 l&rsquo;Ecole des Beaux Arts. Form\u00e9 \u00e0 travers diff\u00e9rentes exp\u00e9riences et divers mat\u00e9riaux : fer, m\u00e9tal, plastique. Il\u00a0cr\u00e9e des sculptures transparentes avant d&rsquo;aborder le bois et de trouver enfin\u00a0dans le marbre son m\u00e9dium privil\u00e9gi\u00e9. Depuis 1972, Mathias Liptay vit et\u00a0travaille plusieurs mois par an \u00e0 Carrare en Italie o\u00f9, \u00e0 travers le marbre, il\u00a0cherche \u00e0 atteindre l&rsquo;essence et l&rsquo;unit\u00e9 des choses.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><span class=\"s1\">EXPOSITIONS INDIVIDUELLES<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">1974, 1979\u00a0<b>&#8211; <\/b>Galerie d&rsquo;Art Contemporain, Lausanne<b> <\/b>(Suisse)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">1976, 1978 &#8211; Galerie Visconti, Paris<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">1980,1984 &#8211; Ancienne Douanne, Strasbourg<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">1982,1984 &#8211; Galerie Arcadia, Paris<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">1984 &#8211; Mus\u00e9e des Beaux Arts, Agen<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">1986 &#8211; Mus\u00e9e de Haguenau<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">1989 &#8211; Galerie Rolf Wahl, Paris<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">1992 &#8211; Galerie Muscade, Paris<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">1994 &#8211; Galerie Christine Colas, Paris<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">1999 &#8211; Galerie Art Pr\u00e9sent, Paris<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">2005 &#8211; Galerie des Ormes, Courtenay<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><span class=\"s1\">SALONS<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Jeune Sculpture &#8211; 1964,1965, 1966,1967,1968, 1970, 1971<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Salon de Mai &#8211; 1975,1976, 1977<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Grands et Jeunes d\u2019aujourd&rsquo;hui &#8211; 1978,1979<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">R\u00e9alit\u00e9s nouvelles &#8211; 1971, 1977, 1983, 1984, 1985, 1987<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Mac 2000, Grand Palais &#8211; 1986, 1988, 1995, 2001, 2004<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">SIAC, Strasbourg &#8211; 1995,1996<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><span class=\"s1\">EXPOSITIONS DE GROUPE<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>1965 &#8211;\u00a0<\/b>Groupe Requiem en annexe de la Biennale de Paris, Galerie Transposition<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>1970 &#8211;\u00a0<\/b>Magyarok, Les hongrois de Paris, Galerie Zuzini, Paris<b>\u00a0\u00a0<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>1975 &#8211;\u00a0<\/b>Peinture et Sculptures des Artistes hongrois en France, Galerie Isis, Paris<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>1977 &#8211;\u00a0<\/b>Mostra Internazional de Sculptura, Forte dei Marmi, Olaszorsz\u00e0g<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>1990 &#8211;\u00a0<\/b>Une semaine abstraite \u00e0 Sarrebourg, Sarrebourg<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>1991 &#8211;\u00a0<\/b>5<\/span><span class=\"s2\"><sup>e<\/sup><\/span><span class=\"s1\"> Forum des Arts: un Peintre, un Sculpteur et Picasso, Bitche<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>1993 &#8211;\u00a0<\/b>Camille Claudel et 24 sculpteurs, Chapelle des Cordeliers, Sarrebourg<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>1995 &#8211;\u00a0<\/b>Ces Sculpteurs fran\u00e7ais de Hongrie, Institut Hongrois de Paris<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>2007 &#8211;\u00a0<\/b>Galerie Abigail, Budapest<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><span class=\"s1\">COMMANDES D\u2019\u00c9TAT<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Sculpture en marbre devant l&rsquo;H\u00f4pital r\u00e9gional des Arm\u00e9es de Pourvourville, Toulouse \u2013 1984<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Sculpture monumentale en marbre blanc de Cararre \u00ab\u00a0Pr\u00e9sent de l&rsquo;Esprit\u00a0\u00bb, Mus\u00e9e de l&rsquo;ancienne Abbaye de Land\u00e9vennec (Finist\u00e8re) \u2013 1990<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><span class=\"s1\">COMMANDE<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Sculpture Bas-relief en marbre blanc de Carrare, \u00ab\u00a0L&rsquo;Annonciation\u00a0\u00bb Eglise de l&rsquo;Abbaye de Land\u00e9vennec, 1991\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><div class=\"_3d-flip-book  fb3d-fullscreen-mode full-size\" data-id=\"3289\" data-mode=\"fullscreen\" data-title=\"false\" data-template=\"short-white-book-view\" data-lightbox=\"dark-shadow\" data-urlparam=\"fb3d-page\" data-page-n=\"0\" data-pdf=\"\" data-tax=\"null\" data-thumbnail=\"\" data-cols=\"3\" data-book-template=\"default\" data-trigger=\"\"><\/div><script type=\"text\/javascript\">window.FB3D_CLIENT_DATA = window.FB3D_CLIENT_DATA || 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&& FB3D_CLIENT_LOCALE.render && FB3D_CLIENT_LOCALE.render();<\/script><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<h4 class=\"p1\"><span class=\"s1\">MATHIAS LIPTAY<\/span><\/h4>\n<h4 class=\"p1\"><em><span class=\"s1\">Elle<\/span><\/em><\/h4>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><span class=\"s1\">1985<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Taille directe sur marbre de Carrare<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Sign\u00e9 Mathias L<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><span class=\"s1\">Hauteur : \u00a067 cm \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Largeur\u00a0: 27 cm \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Profondeur : 17 cm<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Socle : Hauteur : 5 cm ; Diam\u00e8tre : 33 cm<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n[dt_button size=\"small\" style=\"default\" animation=\"none\" color_mode=\"default\" icon=\"\" icon_align=\"left\" color=\"\" link=\"mailto:gabrielle-laroche@wanadoo.fr?subject=229_MATHIAS LIPTAY - Elle\" target_blank=\"true\"]DEMANDE D&rsquo;INFORMATIONS[\/dt_button]\n<p>&nbsp;<\/p>\n<p><a href=\"\/fr\/contemporains\/\">Retour aux 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