ETIENNE MARTIN (1913-1995)



Epreuve en bronze à patine dorée

Fonte d’édition Ed. Artcurial

Signé, justificatif de tirage n° 3/10A


Hauteur : 17 cm





Back to contemporary



Étienne Martin (1913–1995) was a French non-figurative sculptor.

He was born the February 4th 1913 in Loriol, Drôme, France.He attended the Ecole des Beaux Arts de Lyon from 1929 to 1933, where he met Marcel Michaud. Martin moved to Paris in 1934, working at the studio of Charles Malfray at the Académie Ranson where he came into contact with such painters as Roger Bissière, Jean Le Moal, Jean Bertholle, Alfred Manessier, Zelman, Véra Pagava, and the sculptor François Stahly. With them, he became part of the group Témoignage, which had exhibitions in Paris in 1938 and 1939. He worked primarily in wood and plaster, creating works inspired by his childhood memories of his home in Loriol. Later sculpture included bronze, string, and textiles.

During World War II Étienne Martin was a prisoner in Germany and was liberated in 1941. In 1942 he traveled to Oppède with Stahly et Zelman and then in 1943-1944 he went to Dieulefit, Drôme where he met the writer Henri-Pierre Roché. Next he moved to Mortagne-au-Perche, Normandy. On his return to Paris in 1947 he lived with Roché, and he met Brâncuși and Gurdjieff. Over the next dozen years he became spiritual, practicing Eastern religions including Taoism.

In 1954 Martin began his series of Demeures (Dwellings) for which he became well known. He received in 1966 the grand prize for sculpture in the 33rd Venice Biennale. He was a professor and head of the sculpture department from 1968 to 1983 at the École nationale supérieure des Beaux-Arts in Paris. He was elected 1971 to the Académie des beaux-arts.

In 1984 an exhibition bringing together all his Demeures was held at the Pompidou Center in Paris. In 2010, June to September, a new exhibition at the Pompidou Center, paid respect to the artist by showing fifteen sculptures, drawing, personal notebooks, and photographs of his studio. He died on March 21, 1995 in Paris



His large abstract sculptures build on inspiriation of empty spaces delimited by volume.

Grand couple, bronze, 1947, at the Fondation Pierre Gianadda, Martigny, Switzerland

La nuit ouvrante, bronze, 1948, in the Museum of Grenoble

Tête aux mains, bronze, 1950–1951, in the Musée de Dijon

Lanleff-Demeure No. 4, bronze, 1961, Nathan Manilow Sculpture Park

Demeure 4, 1961, at the Maison de la Culture d’Amiens

Le Manteau, 1962, in the Pompidou Center, Paris. This was the first fabric in sculpture at this Museum and gained him wide recognition.

Trois Personnages, 1967, at the Fondation de Coubertin, Saint-Rémy lès Chevreuse, Yvelines

Abécédaire, 1967, in the Pompidou Center, Paris

Le Passage, 1969, at the Musée d’Art Moderne de la Ville de Paris

Le cerbère, chestnut, 1977, in the Musée de Lyon

Mur miroir, 1979, in the Pompidou Center, Paris

L’Escalier, wood, metal, plexiglass, rope, paint, 1983 at the Musée de Valence

Le collier de la nuit; Les eaux souterraines du désir, mixed media, 1985, in the Museum of Grenoble

La Ruine, L’Athanor, Demeure 1 at the Bois Orcan in Noyal-sur-Vilaine, (Ille-et-Vilaine)

Demeure at the Middelheim Open Air Sculpture Museum, Antwerp